As Tomoko continues to desire for popularity, author Nico Tanigawa takes her (and us) to that bastion of institution manga, the culture festival, in volume 3. Tomoko, the important loner, understands she should assist out — she doesn’t want to be accused of shirking — however she doesn’t have anything to do, as well as she’s as well timid to approach others.
Her extreme isolation as well as inadvertent self-sabotage is amusing, in the style of cringe comedy. I like the method her dialogue is lettered, in shaky, lightweight text that “sounds” like somebody not utilized to speaking or socializing much. It’s even more of a contrast when her adorable buddy Yuu-chan comes to visit.
There’s likewise Tomoko’s attempt at working a picture booth (nicely cartooned in exaggeration of expressions) as well as a chapter of some short strips. My preferred was the demented however understandable chapter where Tomoko feels unfavorable since she’s never been groped on a congested train. It’s not something to be wanted for, however for her, it’s one more indication that nobody wants her.
I wouldn’t have believed I liked reading No matter exactly how I look at It, It’s You Guys’ fault I’m Not Popular! as much as I do, however Tomoko’s wishes are so typical as well as her reactions so extreme that I am entertained by the discrepancy.
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